Frankie is the newest, skinniest and most mocked member of an up-and-coming modern dance company in San Francisco. The year is 1985. As six muscular male dancers tumble their way through athletic choreography, Frankie stands on the sidelines, mirroring the movement and looking a little weak. The choreographer stops the music and yells at Frankie to “dance like a man!” On the sidelines, Todd watches. Todd is an established dancer in the same company and the bad boy to Frankie’s innocent. They’re friends - opposites attract.

For Frankie, the city offers no relief from the bullying at work: a newspaper headline asks “Should Gays Be Quarantined?” while fresh graffiti screams “AIDS Faggot Die!” Frankie turns away and, with his bright yellow Walkman clipped to his belt, retreats into a music-filled trance.

When one of the male dancers is injured Frankie must perform in his place. It’s the classic test of skill and character, and Todd helps Frankie prepare. Outside of work, as Frankie and Todd’s friendship deepens, they each face a different kind of test: the newly-named disease is spreading fast and no one seems to know anything about it, except who it targets. Together the friends navigate a world full of risk that is also, now and then, full of hope.